{"id":249863,"date":"2026-07-07T13:02:48","date_gmt":"2026-07-07T10:02:48","guid":{"rendered":"https:\/\/1kitap1.com\/en\/getting-into-drama-school-pdf-nick-moseley\/"},"modified":"2026-07-07T13:02:48","modified_gmt":"2026-07-07T10:02:48","slug":"getting-into-drama-school-pdf-nick-moseley","status":"publish","type":"post","link":"https:\/\/1kitap1.com\/en\/getting-into-drama-school-pdf-nick-moseley\/","title":{"rendered":"Getting into Drama School PDF &#8211; Nick Moseley"},"content":{"rendered":"<div style=\"text-align:center; margin-bottom:30px;\">\n    <img decoding=\"async\" src=\"https:\/\/1kitap1.com\/en\/wp-content\/uploads\/2026\/07\/temp_Getting_into_Drama_School_The_Compact_Guide_-_Nick_Moseley-1kitap1.com_.jpg\" alt=\"Getting into Drama School: The Compact Guide PDF Download\" style=\"max-width:300px; height:auto; border-radius:10px; box-shadow:0 10px 30px rgba(0,0,0,0.1);\" \/>\n<\/div>\n<div id=\"ez-toc-container\" class=\"ez-toc-v2_0_85 counter-hierarchy ez-toc-counter ez-toc-grey ez-toc-container-direction\">\n<div class=\"ez-toc-title-container\">\n<p class=\"ez-toc-title\" style=\"cursor:inherit\">Table of Contents<\/p>\n<span class=\"ez-toc-title-toggle\"><a href=\"#\" class=\"ez-toc-pull-right ez-toc-btn ez-toc-btn-xs ez-toc-btn-default ez-toc-toggle\" aria-label=\"Toggle Table of Content\"><span class=\"ez-toc-js-icon-con\"><span class=\"\"><span class=\"eztoc-hide\" style=\"display:none;\">Toggle<\/span><span class=\"ez-toc-icon-toggle-span\"><svg style=\"fill: #999;color:#999\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"list-377408\" width=\"20px\" height=\"20px\" viewBox=\"0 0 24 24\" fill=\"none\"><path d=\"M6 6H4v2h2V6zm14 0H8v2h12V6zM4 11h2v2H4v-2zm16 0H8v2h12v-2zM4 16h2v2H4v-2zm16 0H8v2h12v-2z\" fill=\"currentColor\"><\/path><\/svg><svg style=\"fill: #999;color:#999\" class=\"arrow-unsorted-368013\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"10px\" height=\"10px\" viewBox=\"0 0 24 24\" version=\"1.2\" baseProfile=\"tiny\"><path d=\"M18.2 9.3l-6.2-6.3-6.2 6.3c-.2.2-.3.4-.3.7s.1.5.3.7c.2.2.4.3.7.3h11c.3 0 .5-.1.7-.3.2-.2.3-.5.3-.7s-.1-.5-.3-.7zM5.8 14.7l6.2 6.3 6.2-6.3c.2-.2.3-.5.3-.7s-.1-.5-.3-.7c-.2-.2-.4-.3-.7-.3h-11c-.3 0-.5.1-.7.3-.2.2-.3.5-.3.7s.1.5.3.7z\"\/><\/svg><\/span><\/span><\/span><\/a><\/span><\/div>\n<nav><ul class='ez-toc-list ez-toc-list-level-1 ' ><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-1\" href=\"https:\/\/1kitap1.com\/en\/getting-into-drama-school-pdf-nick-moseley\/#Getting_into_Drama_School_The_Compact_Guide_Book_Summary_Review\" >Getting into Drama School: The Compact Guide Book Summary &#038; Review<\/a><ul class='ez-toc-list-level-3' ><li class='ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-2\" href=\"https:\/\/1kitap1.com\/en\/getting-into-drama-school-pdf-nick-moseley\/#Quick_Summary\" >Quick Summary<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-3\" href=\"https:\/\/1kitap1.com\/en\/getting-into-drama-school-pdf-nick-moseley\/#Book_Topic_and_Premise\" >Book Topic and Premise<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-4\" href=\"https:\/\/1kitap1.com\/en\/getting-into-drama-school-pdf-nick-moseley\/#Detailed_Plot_Summary\" >Detailed Plot &#038; Summary<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-5\" href=\"https:\/\/1kitap1.com\/en\/getting-into-drama-school-pdf-nick-moseley\/#Critical_Review_and_Analysis\" >Critical Review and Analysis<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-6\" href=\"https:\/\/1kitap1.com\/en\/getting-into-drama-school-pdf-nick-moseley\/#Main_Themes_Motifs\" >Main Themes &#038; Motifs<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-7\" href=\"https:\/\/1kitap1.com\/en\/getting-into-drama-school-pdf-nick-moseley\/#Who_Should_Read_This_Book\" >Who Should Read This Book?<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-8\" href=\"https:\/\/1kitap1.com\/en\/getting-into-drama-school-pdf-nick-moseley\/#Why_You_Should_Read_It\" >Why You Should Read It<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-9\" href=\"https:\/\/1kitap1.com\/en\/getting-into-drama-school-pdf-nick-moseley\/#Key_Takeaways_What_You_Will_Learn\" >Key Takeaways &#038; What You Will Learn<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-10\" href=\"https:\/\/1kitap1.com\/en\/getting-into-drama-school-pdf-nick-moseley\/#Technical_Bibliographic_Details\" >Technical &#038; Bibliographic Details<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-11\" href=\"https:\/\/1kitap1.com\/en\/getting-into-drama-school-pdf-nick-moseley\/#Frequently_Asked_Questions_FAQ\" >Frequently Asked Questions (FAQ)<\/a><ul class='ez-toc-list-level-4' ><li class='ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-12\" href=\"https:\/\/1kitap1.com\/en\/getting-into-drama-school-pdf-nick-moseley\/#PDF_Download_Section\" >PDF Download Section<\/a><\/li><\/ul><\/li><\/ul><\/li><\/ul><\/nav><\/div>\n<h2><span class=\"ez-toc-section\" id=\"Getting_into_Drama_School_The_Compact_Guide_Book_Summary_Review\"><\/span>Getting into Drama School: The Compact Guide Book Summary &#038; Review<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<h3><span class=\"ez-toc-section\" id=\"Quick_Summary\"><\/span>Quick Summary<span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p><em>A highly tactical handbook providing explicit advice on monologue selection, performance psychology, panel expectations, and strategic preparation required to enter competitive theater schools.<\/em><\/p>\n<h3><span class=\"ez-toc-section\" id=\"Book_Topic_and_Premise\"><\/span>Book Topic and Premise<span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p>What specific artistic traits do theater panels actually look for when thousands of aspiring performers line up for a handful of conservatory slots? In Getting into Drama School: The Compact Guide, prominent theatrical director Nick Moseley strips away the romantic mystique of the acting world to deliver a highly structured operational strategy for the audition room. The handbook focuses entirely on eliminating technical errors, maximizing physical presence, and cultivating deep intellectual engagement with dramatic texts.<\/p>\n<p>As you progress through the instructional chapters, the reading experience functions like a private masterclass. You will explore the specific mechanics of text breakdown, learning exactly how to identify shift points in a contemporary monologue or scan the metrical demands of a Shakespearean verse. The author provides direct insight into the panel&#8217;s psyche, warning against over-rehearsed mannerisms while detailing how to demonstrate collaborative adaptability during sudden redirect prompts.<\/p>\n<p>Aspiring performance artists utilizing the digital PDF version will find that the text operates as an invaluable planning workbook. [Author Name] outlines precise criteria for selecting material that matches an actor&#8217;s casting window while warning against over-used audition clich\u00e9s. This technical manual treats the audition process not as a lottery of raw talent, but as a testable project that yields to calculated preparation.<\/p>\n<p>Ultimately, this insightful guide transforms the terrifying admission process into an organized series of practical milestones. For any actor serious about securing professional training, this concise map provides the technical certainty needed to walk into any audition room with confidence.<\/p>\n<h3><span class=\"ez-toc-section\" id=\"Detailed_Plot_Summary\"><\/span>Detailed Plot &#038; Summary<span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p>Written by an experienced acting coach and audition panelist, this manual systematically demystifies the highly competitive admission processes of elite theatrical institutions. It covers everything from selecting contrasting classical and contemporary speeches to managing extreme stage fright under panel scrutiny. The text details common mistakes candidates make during physical workshops and sight-reading tests, offering practical adjustments to display genuine artistic versatility and coachability.<\/p>\n<div style=\"background-color:#fff3cd; padding:15px; border-left:4px solid #ffc107; margin:20px 0; border-radius:4px;\"><strong>\u270d\ufe0f Editor&#8217;s Note:<\/strong> A brilliant operational map that strips away the panic of performance art admissions, replacing anxiety with rigorous, structured preparation.<\/div>\n<h3><span class=\"ez-toc-section\" id=\"Critical_Review_and_Analysis\"><\/span>Critical Review and Analysis<span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p>The guide excels in its psychological grounding, cutting through standard artistic fluff to give direct, no-nonsense feedback on panel dynamics. The auditing checklists are incredibly sharp. However, the directory aspects are heavily centered around the United Kingdom&#8217;s drama system, making it slightly less applicable for actors aiming purely for American conservatories.<\/p>\n<h3><span class=\"ez-toc-section\" id=\"Main_Themes_Motifs\"><\/span>Main Themes &#038; Motifs<span class=\"ez-toc-section-end\"><\/span><\/h3>\n<ul>\n<li>Audition Room Psychology<\/li>\n<li>Textual Analysis<\/li>\n<li>Artistic Coachability<\/li>\n<li>Monologue Strategy<\/li>\n<li>Vocal and Physical Control<\/li>\n<\/ul>\n<h3><span class=\"ez-toc-section\" id=\"Who_Should_Read_This_Book\"><\/span>Who Should Read This Book?<span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p>Aspiring theater students, high school acting coaches, private drama tutors, and performing arts applicants navigating competitive school circuits.<\/p>\n<h3><span class=\"ez-toc-section\" id=\"Why_You_Should_Read_It\"><\/span>Why You Should Read It<span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p>It cuts through standard, vague performance advice to offer highly actionable tips on how to handle panel reviews, interviews, and unexpected performance adjustments.<\/p>\n<h3><span class=\"ez-toc-section\" id=\"Key_Takeaways_What_You_Will_Learn\"><\/span>Key Takeaways &#038; What You Will Learn<span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p>You will discover how to source unique monologue material, manage adrenaline surges, present yourself professionally during interviews, and interpret complex textual subtext.<\/p>\n<h3><span class=\"ez-toc-section\" id=\"Technical_Bibliographic_Details\"><\/span>Technical &#038; Bibliographic Details<span class=\"ez-toc-section-end\"><\/span><\/h3>\n<table style=\"width:100%; border-collapse: collapse; margin-bottom: 20px;\">\n<tr>\n<td style=\"width:30%;\"><strong>\ud83d\udcd6 Title:<\/strong><\/td>\n<td>Getting into Drama School: The Compact Guide<\/td>\n<\/tr>\n<tr>\n<td><strong>\ud83d\udd0d Original Title:<\/strong><\/td>\n<td>Getting into Drama School: The Compact Guide<\/td>\n<\/tr>\n<tr>\n<td><strong>\u270d\ufe0f Author:<\/strong><\/td>\n<td>Nick Moseley<\/td>\n<\/tr>\n<tr>\n<td><strong>\ud83c\udfe2 Publisher:<\/strong><\/td>\n<td>Nick Hern Books<\/td>\n<\/tr>\n<tr>\n<td><strong>\ud83d\udcc5 Publication Year:<\/strong><\/td>\n<td>2018<\/td>\n<\/tr>\n<tr>\n<td><strong>\u23f3 First Published:<\/strong><\/td>\n<td>2006<\/td>\n<\/tr>\n<tr>\n<td><strong>\ud83d\udd22 ISBN:<\/strong><\/td>\n<td>9781848426023<\/td>\n<\/tr>\n<tr>\n<td><strong>\ud83d\udcc4 Total Pages:<\/strong><\/td>\n<td>160<\/td>\n<\/tr>\n<tr>\n<td><strong>\ud83d\udcc1 Category:<\/strong><\/td>\n<td><a href=\"https:\/\/1kitap1.com\/en\/category\/performing-arts\/\" style=\"color:#0088cc; text-decoration:underline; font-weight:500;\">Performing Arts<\/a>, <a href=\"https:\/\/1kitap1.com\/en\/category\/acting\/\" style=\"color:#0088cc; text-decoration:underline; font-weight:500;\">Acting<\/a>, <a href=\"https:\/\/1kitap1.com\/en\/category\/career-guide\/\" style=\"color:#0088cc; text-decoration:underline; font-weight:500;\">Career Guide<\/a>, <a href=\"https:\/\/1kitap1.com\/en\/category\/educational\/\" style=\"color:#0088cc; text-decoration:underline; font-weight:500;\">Educational<\/a>, <a href=\"https:\/\/1kitap1.com\/en\/category\/english\/\" style=\"color:#0088cc; text-decoration:underline; font-weight:500;\">English<\/a><\/td>\n<\/tr>\n<tr>\n<td><strong>\ud83c\udf0d Language:<\/strong><\/td>\n<td>English<\/td>\n<\/tr>\n<tr>\n<td><strong>\u2b50 Goodreads Rating:<\/strong><\/td>\n<td>4.22 \/ 5.0 (94 votes)<\/td>\n<\/tr>\n<tr>\n<td><strong>\u23f1\ufe0f Reading Time:<\/strong><\/td>\n<td>3 hours<\/td>\n<\/tr>\n<tr>\n<td><strong>\ud83d\udcca Difficulty Level:<\/strong><\/td>\n<td>Easy<\/td>\n<\/tr>\n<tr>\n<td><strong>\ud83d\udcda Similar Books:<\/strong><\/td>\n<td><a href=\"https:\/\/1kitap1.com\/en\/?s=The%20Audition%20Room\" style=\"color:#0088cc; text-decoration:none;\">The Audition Room<\/a>, <a href=\"https:\/\/1kitap1.com\/en\/?s=An%20Actor%20Prepares\" style=\"color:#0088cc; text-decoration:none;\">An Actor Prepares<\/a>, <a href=\"https:\/\/1kitap1.com\/en\/?s=Actions%3A%20The%20Actors%27%20Thesaurus\" style=\"color:#0088cc; text-decoration:none;\">Actions: The Actors&#8217; Thesaurus<\/a><\/td>\n<\/tr>\n<tr>\n<td><strong>\u270d\ufe0f Other Books by Author:<\/strong><\/td>\n<td><a href=\"https:\/\/1kitap1.com\/en\/?s=Acting%20and%20Character%20Animation\" style=\"color:#0088cc; text-decoration:none;\">Acting and Character Animation<\/a>, <a href=\"https:\/\/1kitap1.com\/en\/?s=Teaching%20Acting%20with%20Practical%20Aesthetics\" style=\"color:#0088cc; text-decoration:none;\">Teaching Acting with Practical Aesthetics<\/a><\/td>\n<\/tr>\n<\/table>\n<h3><span class=\"ez-toc-section\" id=\"Frequently_Asked_Questions_FAQ\"><\/span>Frequently Asked Questions (FAQ)<span class=\"ez-toc-section-end\"><\/span><\/h3>\n<div style=\"margin-bottom:15px; padding: 10px; background: #fafafa; border-radius: 4px;\"><strong>\u2753 Does this guide suggest specific classical monologues to perform?<\/strong><\/p>\n<p style=\"margin-top:5px; margin-bottom:0;\">Rather than providing a static list of overused pieces, it teaches the explicit criteria you must use to select unique, personal text that fits your range.<\/p>\n<\/div>\n<div style=\"margin-bottom:15px; padding: 10px; background: #fafafa; border-radius: 4px;\"><strong>\u2753 Is this handbook relevant for film and television auditions?<\/strong><\/p>\n<p style=\"margin-top:5px; margin-bottom:0;\">While the core focus is on competitive drama conservatories, the foundational skills regarding presence, text analysis, and interview decorum are highly useful for screen tests.<\/p>\n<\/div>\n<div style=\"margin-bottom:15px; padding: 10px; background: #fafafa; border-radius: 4px;\"><strong>\u2753 How does Moseley handle audition performance anxiety?<\/strong><\/p>\n<p style=\"margin-top:5px; margin-bottom:0;\">The text offers practical psychological grounding exercises, shifting the actor&#8217;s focus from seeking validation to executing specific, physical performance actions.<\/p>\n<\/div>\n<div style=\"margin-bottom:15px; padding: 10px; background: #fafafa; border-radius: 4px;\"><strong>\u2753 Are there specific tips for the interview segment of the audition?<\/strong><\/p>\n<p style=\"margin-top:5px; margin-bottom:0;\">Yes, it provides clear structures on how to answer panel questions regarding your theatrical background and training motivations without sounding rehearsed.<\/p>\n<\/div>\n<div style=\"margin-bottom:15px; padding: 10px; background: #fafafa; border-radius: 4px;\"><strong>\u2753 Does the book explain how to handle group workshop rounds?<\/strong><\/p>\n<p style=\"margin-top:5px; margin-bottom:0;\">Yes, it details the hidden benchmarks panels use during group exercises, specifically tracking ensemble awareness, focus, and lack of ego.<\/p>\n<\/div>\n<div style=\"margin-bottom:15px; padding: 10px; background: #fafafa; border-radius: 4px;\"><strong>\u2753 Is this text targeted exclusively at British schools like RADA or LAMDA?<\/strong><\/p>\n<p style=\"margin-top:5px; margin-bottom:0;\">The institutional context relies on the UK system, but the core performance philosophies apply directly to conservatory auditions worldwide.<\/p>\n<\/div>\n<div style=\"margin: 20px 0; padding: 15px; background-color: #f8f9fa; border-left: 4px solid #0088cc; border-radius: 4px;\">\n    <strong>\ud83d\udcda Recommended Category:<\/strong> Explore more in our <a href=\"https:\/\/1kitap1.com\/en\/category\/performing-arts\/\" style=\"color:#0088cc; font-weight:bold; text-decoration:none;\">Performing Arts<\/a> hub.\n<\/div>\n<h4><span class=\"ez-toc-section\" id=\"PDF_Download_Section\"><\/span>PDF Download Section<span class=\"ez-toc-section-end\"><\/span><\/h4>\n<div class=\"wp-block-buttons is-content-justification-center\" style=\"margin: 20px 0 40px 0;\">\n<div class=\"wp-block-button is-style-fill\">\n        <a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/1kitap1.com\/en\/wp-content\/uploads\/2026\/07\/Getting_into_Drama_School_The_Compact_Guide_-_Nick_Moseley-1kitap1.com_.pdf\" target=\"_blank\" rel=\"noopener\" style=\"padding: 20px 40px; font-size: 20px; font-weight: bold; color: #ffffff; background-color: #0088cc; border-radius: 5px; text-decoration: none; display: inline-block;\"><br \/>\n            \ud83d\udce5 Download Getting into Drama School: The Compact Guide PDF (2.9 MB)<br \/>\n        <\/a>\n    <\/div>\n<\/div>\n<p><script type=\"application\/ld+json\">{\"@context\": \"https:\/\/schema.org\", \"@type\": \"Book\", \"name\": \"Getting into Drama School: The Compact Guide\", \"author\": {\"@type\": \"Person\", \"name\": \"Nick Moseley\"}, \"description\": \"Getting into Drama School by Nick Moseley PDF delivers a strategic, insider methodology for navigating theatrical university auditions.\", \"image\": \"https:\/\/1kitap1.com\/en\/wp-content\/uploads\/2026\/07\/temp_Getting_into_Drama_School_The_Compact_Guide_-_Nick_Moseley-1kitap1.com_.jpg\", \"genre\": [\"Performing Arts\", \"Acting\", \"Career Guide\", \"Educational\", \"English\"], \"inLanguage\": \"English\", \"isbn\": \"9781848426023\", \"numberOfPages\": 160, \"publisher\": {\"@type\": \"Organization\", \"name\": \"Nick Hern Books\"}, \"aggregateRating\": {\"@type\": \"AggregateRating\", \"ratingValue\": \"4.22\", \"bestRating\": \"5\", \"worstRating\": \"1\", \"ratingCount\": \"94\"}}<\/script><\/p>\n<p><script type=\"application\/ld+json\">{\"@context\": \"https:\/\/schema.org\", \"@type\": \"FAQPage\", \"mainEntity\": [{\"@type\": \"Question\", \"name\": \"Does this guide suggest specific classical monologues to perform?\", \"acceptedAnswer\": {\"@type\": \"Answer\", \"text\": \"Rather than providing a static list of overused pieces, it teaches the explicit criteria you must use to select unique, personal text that fits your range.\"}}, {\"@type\": \"Question\", \"name\": \"Is this handbook relevant for film and television auditions?\", \"acceptedAnswer\": {\"@type\": \"Answer\", \"text\": \"While the core focus is on competitive drama conservatories, the foundational skills regarding presence, text analysis, and interview decorum are highly useful for screen tests.\"}}, {\"@type\": \"Question\", \"name\": \"How does Moseley handle audition performance anxiety?\", \"acceptedAnswer\": {\"@type\": \"Answer\", \"text\": \"The text offers practical psychological grounding exercises, shifting the actor's focus from seeking validation to executing specific, physical performance actions.\"}}, {\"@type\": \"Question\", \"name\": \"Are there specific tips for the interview segment of the audition?\", \"acceptedAnswer\": {\"@type\": \"Answer\", \"text\": \"Yes, it provides clear structures on how to answer panel questions regarding your theatrical background and training motivations without sounding rehearsed.\"}}, {\"@type\": \"Question\", \"name\": \"Does the book explain how to handle group workshop rounds?\", \"acceptedAnswer\": {\"@type\": \"Answer\", \"text\": \"Yes, it details the hidden benchmarks panels use during group exercises, specifically tracking ensemble awareness, focus, and lack of ego.\"}}, {\"@type\": \"Question\", \"name\": \"Is this text targeted exclusively at British schools like RADA or LAMDA?\", \"acceptedAnswer\": {\"@type\": \"Answer\", \"text\": \"The institutional context relies on the UK system, but the core performance philosophies apply directly to conservatory auditions worldwide.\"}}]}<\/script><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Getting into Drama School: The Compact Guide Book Summary &#038; Review Quick Summary A highly tactical handbook providing explicit advice on monologue selection, performance psychology, panel expectations, and strategic preparation required to enter competitive theater schools. Book Topic and Premise What specific artistic traits do theater panels actually look for when thousands of aspiring performers [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":249862,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[40508,46135,33309,8,35244],"tags":[53868],"class_list":["post-249863","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-acting","category-career-guide","category-educational","category-english","category-performing-arts","tag-nick-moseley"],"blocksy_meta":[],"_links":{"self":[{"href":"https:\/\/1kitap1.com\/en\/wp-json\/wp\/v2\/posts\/249863","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/1kitap1.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/1kitap1.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/1kitap1.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/1kitap1.com\/en\/wp-json\/wp\/v2\/comments?post=249863"}],"version-history":[{"count":0,"href":"https:\/\/1kitap1.com\/en\/wp-json\/wp\/v2\/posts\/249863\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/1kitap1.com\/en\/wp-json\/wp\/v2\/media\/249862"}],"wp:attachment":[{"href":"https:\/\/1kitap1.com\/en\/wp-json\/wp\/v2\/media?parent=249863"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/1kitap1.com\/en\/wp-json\/wp\/v2\/categories?post=249863"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/1kitap1.com\/en\/wp-json\/wp\/v2\/tags?post=249863"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}