{"id":251611,"date":"2026-07-13T01:22:22","date_gmt":"2026-07-12T22:22:22","guid":{"rendered":"https:\/\/1kitap1.com\/en\/american-art-collector-issue-245-march-2026-american-art-collector-1\/"},"modified":"2026-07-13T01:22:22","modified_gmt":"2026-07-12T22:22:22","slug":"american-art-collector-issue-245-march-2026-american-art-collector-1","status":"publish","type":"post","link":"https:\/\/1kitap1.com\/en\/american-art-collector-issue-245-march-2026-american-art-collector-1\/","title":{"rendered":"American Art Collector – Issue 245 March 2026 – American Art Collector (1)"},"content":{"rendered":"
\"<\/figure>\n

Page 56 Show Previews www.AmericanArtCollector.com 3\/24-4\/4 Scottsdale, AZ hough the subjects he paints are inanimate, Scott Yelonek\u2019s still lifes feel alive. You\u2019ll know them when you see them: vintage cameras imbued with storied pasts, emboldened by clean white backdrops. They speak of a bygone era \ufb01lled with nostalgia, dusty roadside attractions, folksy small towns and the promise of the American Dream. \u201cEvery camera carries its own story, and through my work I hope to evoke a sense of memory and nostalgia for the viewer\u2026Most of them come from antique and Open Road By Alyssa M. Tidwell Dua\ufb02ex Tops Brownie, oil on canvas, 36 x 36 in.<\/p>\n

Checked In On Route 66, oil on canvas, 48 x 48 in. vintage shops, eBay or through friends and family. I know I\u2019ve found the right camera when it has real character, espe- cially if it features unique details that set it apart,\u201d Yelonek explains.<\/p>\n

The artist paints in a photorealistic style, which he’s honed over the course of more than three decades. Working primarily in oil and watercolor gives him both the control and spontaneity to capture the subtle nuances of his Americana subject matter. In addition to the nation’s 250th anni- versary, this year also marks the 100th anniversary of Route 66. As a nod to this, Yelonek has also strived to incorporate elements of the historic highway into this latest body of work.<\/p>\n

Perhaps the most indicative of this is Yelonek\u2019s oil on canvas Checked In On Route 66, which features a menagerie of Southwestern roadside memorabilia, including a Route 66 post- card and an Arizona Highways magazine. In Kodak – Roy\u2019s Motel, the center of the camera lens depicts a tiny view of the motel and gas station, a famous Route 66 stop in the mid-20th century. These paintings and others will be showcased in an upcoming exhibition titled Once Upon a Highway at Altamira Fine Art in Scottsdale, Arizona.<\/p>\n

\u201cScott Yelonek treats Americana as both subject and metaphor. In Once Upon a Highway, his meticulously rendered objects www.AmericanArtCollector.com such as cameras, books [and] roadside icons become quiet witnesses to a slower, more intentional America,\u201d says Jason Williams, owner of Altamira Fine Art. \u201cThese paint- ings aren\u2019t nostalgic, they\u2019re re\ufb02ective.<\/p>\n

They ask us to pause, look closely and consider how memory, travel and storytelling inter- sect along the open road.\u201d Yelonek says, \u201cI hope the Route 66-themed paintings re\ufb02ect a sense of Americana and the memories of how we once traveled. From old motels and diners to quirky roadside attractions, they speak to a slower, more unhurried pace of life.<\/p>\n

The other paintings invite their own journeys, allowing the viewer\u2019s memories to lead the way.\u201d<\/p>\n

\n

Lee Alban | No Sign of Foul Play 18×24 in | Oil | $4,000 Mary Erickson | Water Music – Egret 14×14 in | Oil | $5,600 NOAPS.ORG NOAPS 2026 Exhibitions SMALL WORKS: BEST OF AMERICA INTERNATIONAL JURIED EXHIBITION MAY 1-30, 2026 Anderson Fine Art Gallery St. Simon\u2019s Island, GA Entries Accepted through February 17 SPRING ONLINE INTERNATIONAL JURIED EXHIBITION Entries Accepted: January 13 – April 6, 2026 ASSOCIATE ONLINE INTERNATIONAL JURIED EXHIBITION Open to all Associate Members Entries Accepted: June 8 \u2013 August 5 FALL ONLINE INTERNATIONAL JURIED EXHIBITION Entries Accepted: July 13 \u2013 October 19, 2026 36TH BEST OF AMERICA INTERNATIONAL JURIED EXHIBITION SEPT 1 \u2013 OCT 10, 2026 Ballard\u2019s Fine Art Gallery | Sheridan, WY.<\/p>\n

Entries Accepted: April 15 \u2013 July 2 Jeffrey Vaughn Thicket 43, oil & acrylic on canvas, 50×40\u201d George Billis Gallery 1700 Post Road \u2022 Fairfield CT 06824 \u2022 212.645.2621 GeorgeBillis.com \u2022 BillisGallery@gmail.com \u2022 @georgebillisgallery April 2026 EMPOWERING WOMEN. CELEBRATING ART. Of Mark & Meaning: American Women Artists FEB. 13 – APR. 26, 2026 ART DETAIL: \u201cA Place to Savor\u201d by Elizabeth Floyd, 2024, Oil, 36 x 36 in.<\/p>\n

Rising Voices 4: Th e Bennett Prize\u00ae FEB. 9 – APRIL 24, 2026 ART DETAIL: \u201cLollipops\u201d by Niman Gobir, 2024, Oil and embroidery thread on canvas, 39 x 39 in. 200 South Second Street CLARKSVILLE, TN 37040 931-648-5780 www.customshousemuseum.org 004 www.AmericanArtCollector.com Since 1998 ADOLFO CASTILLO Publisher: Editorial\/Creative acastillo@americanartcollector.com WENDIE MARTIN Publisher: Business\/ Art Community Development wmartin@americanartcollector.com VINCENT W. MILLER \/ Founder ADVERTISING (866) 619-0841 ANITA WELDON Senior Account Executive aweldon@americanartcollector.com MICHAEL BRIGHT Senior Account Executive mbright@americanartcollector.com JENNIFER GOMBASH Senior Account Executive jgombash@americanartcollector.com CINDY KLUTZNICK Senior Account Executive cklutznick@americanartcollector.com MARLOW BUFORD Inside Sales Representative mbuford@americanartcollector.com MARCH 2026 \/ MONTHLY @artmags American Art Collector Get Social!<\/p>\n

American Art Collector collectart Copyright \u00a9 2026. All material appearing in American Art Collector is copyright. Reproduction in whole or part is not permitted without permission in writing from the editor. Editorial contributions are welcome and should be accompanied by a stamped self-addressed envelope. All care will be taken with material supplied, but no responsibility will be accepted for loss or damage.<\/p>\n

The views expressed are not necessarily those of the editor or the publisher. The publisher bears no responsibility and accepts no liability for the claims made, nor for information provided by advertisers. Printed in the USA.<\/p>\n<\/blockquote>\n

This is a short excerpt from the opening of “” by Unknown, quoted for review and introduction purposes. All rights belong to the copyright holders.<\/em><\/p>\n

\n
\n

Table of Contents<\/p>\nToggle<\/span><\/path><\/svg><\/svg><\/span><\/span><\/span><\/a><\/span><\/div>\n