{"id":252791,"date":"2026-07-13T02:22:51","date_gmt":"2026-07-12T23:22:51","guid":{"rendered":"https:\/\/1kitap1.com\/en\/a-deadly-episode-anthony-horowitz\/"},"modified":"2026-07-13T02:22:51","modified_gmt":"2026-07-12T23:22:51","slug":"a-deadly-episode-anthony-horowitz","status":"publish","type":"post","link":"https:\/\/1kitap1.com\/en\/a-deadly-episode-anthony-horowitz\/","title":{"rendered":"A Deadly Episode – Anthony Horowitz"},"content":{"rendered":"
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In The Point of It All we were both supposed to be in love with the same girl, the lighthouse keeper\u2019s niece, and maybe I shouldn\u2019t tell you this but I had a bit of a fling with Ingrid Tibbs who played her, and that may have upset David because I know he fancied her too. Anyway, it was only after the film came out that there was any sense of rivalry and even then we stayed friends.\u2019 \u2018It must have been difficult when you were both up for BAFTAs.\u2019<\/p>\n

\u2018Not really. That happened a couple of years later and although we \u2019d stayed in touch, we hardly saw each other. Both our careers had taken off. I was doing a lot of work in Los Angeles and South Africa . . . that was where we shot Mad Max. David was mainly in the UK. But you\u2019re right. We both got nominated for Best Supporting Actor at the BAFTAs in the same year.<\/p>\n

He was up for Forty Years On and I was there for The Hateful Eight which I\u2019d done with Quentin Tarantino. He \u2019s an amazing man. A ball of energy. And he \u2019s a brilliant writer.\u2019 The waiter arrived at the table with our first course, the prawns arranged with their heads poking out of a wine glass, their bodies disappearing into a mess of lettuce, avocado and Marie Rose sauce.<\/p>\n

Ralph reached for his fork but he didn\u2019t eat. \u2018The BAFTA thing was a bit awkward, I must say,\u2019 he went on. \u2018But neither of us knew who\u2019d won so it wasn\u2019t as if we had anything to fight over and he couldn\u2019t have been more pleased to see me.\u2019 He paused. \u2018I\u2019ll never forget that night. I was a barrel of nerves and if it hadn\u2019t been for David, I\u2019m not sure I\u2019d have even made it onto the stage.\u2019<\/p>\n

\u2018So what happened?\u2019 I asked. \u2018What do you mean?\u2019 He sounded offended. \u2018I heard you weren\u2019t well.\u2019 He stared at me. \u2018You must know.\u2019 \u2018No. Teresa said I should ask you. I might have been away that year, on a book tour or something, but I was never very interested in the BAFTAs.<\/p>\n

I could look it up, I suppose, but although I know there was some sort of fuss, I can\u2019t remember reading anything.\u2019 \u2018To be honest with you, Anthony, I\u2019d rather talk about something else.\u2019 \u2018I\u2019m sorry, Ralph. Obviously, I don\u2019t want to upset you.\u2019 \u2018Upset me? It didn\u2019t just upset me. It ruined my life!\u2019 I didn\u2019t know what to say.<\/p>\n

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Trigger Mortis Forever and a Day With a Mind to Kill Susan Ryland Magpie Murders Moonflower Murders Marble Hall Murders Detective Daniel Hawthorne The Word is Murder The Sentence is Death A Line to Kill The Twist of a Knife Close to Death 1kitap1.com\/en C CENTURY CENTURY UK | USA | Canada | Ireland | Australia India | New Zealand | South Africa Century is part of the Penguin Random House group of companies whose addresses can be found at global.penguinrandomhouse.com Penguin Random House UK, One Embassy Gardens, 8 Viaduct Gardens, London SW11 7BW penguin.co.uk First published 2026 001 Copyright \u00a9 Anthony Horowitz, 2026 The moral right of the author has been asserted Penguin Random House values and supports copyright.<\/p>\n

Copyright fuels creativity, encourages diverse voices, promotes freedom of expression and supports a vibrant culture. Thank you for purchasing an authorised edition of this book and for respecting intellectual property laws by not reproducing, scanning or distributing any part of it by any means without permission. You are supporting authors and enabling Penguin Random House to continue to publish books for everyone. No part of this book may be used or reproduced in any manner for the purpose of training artificial intelligence technologies or systems. In accordance with Article 4(3) of the DSM Directive 2019\/790, Penguin Random House expressly reserves this work from the text and data mining exception.<\/p>\n

Set in 13.5\/17pt Fournier MT Std Typeset by Six Red Marbles UK, Thetford, Norfolk Printed and bound in Great Britain by Clays Ltd, Elcograf S.p.A. The authorised representative in the EEA is Penguin Random House Ireland, Morrison Chambers, 32 Nassau Street, Dublin D02 YH68 A CIP catalogue record for this book is available from the British Library ISBN: 978\u20131\u2013529\u201390432\u20131 (hardback) ISBN: 978\u20131\u2013529\u201390433\u20138 (trade paperback) Penguin Random House is committed to a sustainable future for our business, our readers and our planet.<\/p>\n

This book is made from Forest Stewardship Council\u00ae certified paper. For my dear friend, Joyce Hytner \u2013 in celebration.<\/p>\n<\/blockquote>\n

This is a short excerpt from the opening of “” by Unknown, quoted for review and introduction purposes. All rights belong to the copyright holders.<\/em><\/p>\n

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