{"id":259242,"date":"2026-07-13T16:51:52","date_gmt":"2026-07-13T13:51:52","guid":{"rendered":"https:\/\/1kitap1.com\/en\/emerging-trends-in-design-and-arts-jitendra-sharma\/"},"modified":"2026-07-13T16:51:52","modified_gmt":"2026-07-13T13:51:52","slug":"emerging-trends-in-design-and-arts-jitendra-sharma","status":"publish","type":"post","link":"https:\/\/1kitap1.com\/en\/emerging-trends-in-design-and-arts-jitendra-sharma\/","title":{"rendered":"Emerging Trends In Design And Arts – Jitendra Sharma"},"content":{"rendered":"
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Every design and its forms have a greater significance along with their indigenous thoughts (Bhowrik, R., 2012). The motifs and designs generally seen such as symbols of birds, floral designs, animals, ornamental designs and several other intricate figures in the Indian textiles; and motifs like conch, elephant, peacock, parrot, fish, etc. are quite common in Indian Textiles (Kishore, N., 2013). Thus, motif is undoubtedly the result of natural surroundings, customs, social beliefs, and religion of that area to which its creator belongs.<\/p>\n

Motifs are symbolism and reflection of belief which may vary from one region to another, but they are all interconnected with the same essence; and signs and symbols endure the intrinsic beauty of motifs (Prajapati, P., 2021). Previous research studies in this area identify key themes such as the symbolic use of the lotus as a cosmic emblem of creation and purity, and the paisley (ambi) motif as a fusion of floral and seed imagery symbolizing fertility; and most of the studies have focused on individual traditions rather than comparative regional analysis.<\/p>\n

Therefore, the present study endeavours to fill this gap by presenting an inclusive summary of floral motifs across India. The grounds, growth, and effect of floral motifs in Indian textiles are examined in this study via all-inclusive and graphic methodology. With an importance on their association to religious beliefs, ethnic customs, and artistic expression, the study analyses the historical development of floral patterns from the Vedic era through the Gupta and Mughal dynasties. The information gathered has been sourced from various secondary sources such as books, academic journals , magazines, and reliable online references.<\/p>\n

Documented and figurative study was done to understand the metaphorical meanings of floral motifs. This research aims to understand and examine the connection between nature and human psyche through floral design as a form of creative self expression. To understand the cultural and creative oppression of floral motifs in traditional and present day Indian textiles the methodology highlights observation, documentation, and interpretation.<\/p>\n

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This book examines the transformative role of design, art and media in a rapidly changing global landscape. It brings together contemporary perspectives to highlight how creative practices are responding to technological advancements, cultural shifts and evolving modes of communication. The volume presents an in-depth exploration of emerging paradigms across design and artistic disciplines, emphasizing the convergence of tradition, innovation and technology. It covers key areas such as visual communication, fashion and product design, media studies, cultural heritage and contemporary art practices, alongside evolving domains including VFX, gaming, AR\/VR, journalism and sustainable design.<\/p>\n

Through research-based studies, critical analyses and practice-oriented insights, the book illustrates how global trends and digital tools are reshaping aesthetics, creative processes and audience engagement. It foregrounds interdisciplinary dialogue and international perspectives, demonstrating how designers and artists negotiate the intersection of creativity, technology and society while addressing present and future challenges in the creative industries. This book is intended for academicians, researchers, students and professionals in design, arts and media studies. It will also appeal to interdisciplinary scholars and practitioners seeking informed perspectives on innovation, cultural transformation and contemporary creative practice.<\/p>\n

OceanofPDF.com Emerging Trends in Design and Arts A Multidisciplinary Approach to Aesthetics, Media and Innovation Edited by Jitendra Sharma Dean, Faculty of Design and Arts, Poornima University, Jaipur, India Manjari Rai Pro- President, Poornima University, Jaipur, India Udit Mamodiya Associate Professor and Associate Dean (Research), Poornima University, Jaipur, India Gunja Soni Professor, Department of Fashion and Textile, Poornima University, Jaipur, India Aastha Saxena Associate Professor and Head, Department of JMC, Poornima University, Jaipur, India PROCEEDINGS OF THE 3RD INTERNATIONAL CONFERENCE ON EMERGING TRENDS IN DESIGN AND ARTS (ICETDA 2025), JAIPUR, INDIA, 12TH AND 13TH SEPTEMBER 2025 OceanofPDF.com First edition published 2026 by CRC Press 4 Park Square, Milton Park, Abingdon, Oxon, OX14 4RN and by CRC Press 2385 NW Executive Center Drive, Suite 320, Boca Raton FL 33431 \u00a9 2026 selection and editorial matter, Jitendra Sharma, Manjari Rai, Udit Mamodiya, Gunja Soni and Aastha Saxena; individual chapters, the contributors CRC Press is an imprint of Informa UK Limited The right of Jitendra Sharma, Manjari Rai, Udit Mamodiya, Gunja Soni and Aastha Saxena to be identified as authors of the editorial material, and of the authors for their individual chapters has been asserted in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988.<\/p>\n

All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. For permission to photocopy or use material electronically from this work, access www.copyright.com or contact the Copyright Clearance Center, Inc.<\/p>\n

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